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The lost art of breathing

The art of breathing Antonio Guillem - Shutterstock
The art of breathing Antonio Guillem - Shutterstock

What medieval pilgrims knew and we have forgotten: breathing well while walking is not just a technique—it is awareness.

A Tibetan proverb says: “Walk according to the length of your step.” Behind that apparently simple phrase lies a truth our ancestors knew well and that we, with our GPS devices and expensive shoes, have almost forgotten: a journey is not measured in kilometers but in breaths.

The silent dialogue

When I walk uphill, there’s always a moment when the body begins to protest. The legs burn, the heart beats hard, and the mind starts its usual litany: “How much farther? Why did I agree to do this? I should have stopped in that last village.”

But if I close my eyes and really listen, I realize it’s not the body that speaks loudest—it’s the breath. Short, ragged, disordered. Like a child pulling at my sleeve, asking for attention.

Zen monks say: “The mind follows the breath as a dog follows its master.” On the trail I discovered that the reverse is also true: when the breath is lost, the mind follows it into confusion.

The wisdom of the porters

In 1953, when Edmund Hillary and Tenzing Norgay reached the summit of Everest, newspapers celebrated the achievement as a triumph of Western mountaineering. Those who know the mountain, however, understand that the true marvel was the Sherpas who carried impossible loads to lethal altitudes—singing.

They sang not because they were stronger, but because they had learned something we have forgotten: the rhythm of breathing is the metronome of endurance. When breath and step align, the body ceases to struggle against itself and begins to move with ease.

A Nepali saying teaches: “You do not conquer the mountain; you adapt to it.” The first adaptation does not concern muscle, but the way air enters and leaves the body.

When the body speaks (and we do not listen)

For years I walked badly—not because of wrong shoes or an overloaded pack, but because I breathed as I lived: hurriedly, shallowly, always slightly out of breath, even when there was no reason to be.

The posture I keep at my desk—shoulders curved, chest closed—has become my natural stance. Add a backpack, and the body closes even more. The result: breathing from the upper chest only, using a fraction of the lungs. It’s like trying to water a garden with a dropper.

A Yiddish proverb says: “Walk upright and you will not fall.” Hidden within is another kind of wisdom: walk upright and you will breathe. And if you breathe, everything else follows.

The rhythm that heals

On the Kumano Kodo in Japan, I learned nanba aruki—the ancient walk of the samurai, where arm and leg on the same side move together. At first it feels clumsy and unnatural. Then, after a while, something shifts.

Movement becomes smooth, the body stops twisting, and suddenly a rhythm appears that I didn’t know existed. With that rhythm comes the right breath—not the one I think I should have, but the one the body naturally asks for.

In Japanese there is the concept of ma: the space between things, the silence between notes, the pause between breaths. I discovered that in that pause—between inhaling and exhaling—lies a quiet kind of peace.

A monk once told me: “You don’t need to learn to breathe well. You only need to stop breathing badly.” The difference is subtle but essential. It’s not about technique; it’s about attention.

Lessons from the path

After years of walking, I’ve gathered a few insights that don’t appear in trekking manuals:

The breath as an inner compass — When I get lost in thought, my breathing becomes short and uneven. When I return to the breath, thoughts settle—not because they disappear, but because they lose their hold on anxiety.

The step that follows the breath — I once thought the breath should adapt to the step. I’ve learned the opposite: when I find my natural breath, the right step comes on its own.

The ascent as teacher — On level ground I can breathe poorly for hours without noticing. Uphill, the body refuses to be ignored. It forces me to adjust, to listen, to find a rhythm balanced between effort and release. For that reason, I have come to love climbs—they bring me back to my body.

The group as mirror — When walking with others, I hear their breathing: some gasping, some holding back, some with mouths always open. In them I recognize my own patterns. Group walking becomes a kind of shared resonance—a collective mirror of our restlessness.

The mouth, the nose, and the choice

There’s an old debate: is it better to breathe through the nose or the mouth? I discovered that the question is wrong. It’s not a matter of “better,” but of “when.”

The nose governs the breath of calm, presence, and return. The mouth governs the breath of exertion, drive, and urgency. Both have their place.

On flat stretches, I breathe through the nose—it slows me down, keeps me present, prevents me from rushing when there’s no need. On steep climbs, I open the mouth, but only as much as necessary. And as soon as I can, I return to the nose

It isn’t a rule, but an observation. The body knows what it needs if we learn to listen instead of command.

Breaths as prayers

An elderly Spanish pilgrim once taught me something I still practice, even though I’m not a believer. Before starting a stage, she sits, closes her eyes, and takes ten deep, slow, deliberate breaths. “They’re my ten steps of preparation,” she says. “The body must know that something important is about to begin.

During the journey, when fatigue sets in, she counts breaths instead of steps. “When I count steps, I think about how far is left. When I count breaths, I stay where I am.”
It’s a subtle but radical difference. Steps belong to the future—to the destination, to the end. Breaths belong to the present—to the body that walks, here and now.

The final lesson

Buddhist monks say: “If we are facing the right direction, all we have to do is keep walking.”

I would add: and keep breathing. Not well or correctly, according to a method or technique, but consciously—aware that you are breathing, feeling the air enter and leave, noticing when it shortens, when it drifts, when it returns.

Walking is not simply moving through space. It is a continuous dialogue between will and surrender, between control and trust. Breath is the language of that dialogue.

When my legs burn and my mind insists on stopping, I do this: I close my mouth, inhale through my nose for four steps, exhale for six. Not because the numbers are special, but because counting keeps my attention where it belongs. And attention is everything.

I always discover the same truth: it’s not the legs that give out—it’s the breath that forgets its rhythm. And when the breath returns, everything else does too.

As an old Chinese proverb says: “The road is built by walking it.”

I would say: the breath is built by breathing it. One step, one inhalation, one exhalation at a time—until walking and breathing become one, and the path itself becomes a form of quiet reflection, even for those who do not pray.

Author’s Note:

This article is drawn from personal experiences along various pilgrimage routes. It does not offer medical advice but shares personal observations. If you have specific health conditions, consult your doctor before undertaking physical activity.

This post is also available in: Español Italiano

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